Difference between revisions of "Photo-finish"

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The instructions are the same as for 353, the key moments are switching to sensor free fun (or reasonable fps) and JP4 format modes.
 
The instructions are the same as for 353, the key moments are switching to sensor free fun (or reasonable fps) and JP4 format modes.
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** TRIG=4
 
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** COMPRESSOR_RUN=2
 
** COMPRESSOR_RUN=2
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==<font color='blue'>Setup instructions for 353</font>==
 
==<font color='blue'>Setup instructions for 353</font>==

Revision as of 14:48, 22 January 2018

Elphel Network Cameras Manual

Using the cameras | Camera software | Camera hardware | Diagnostic and repair | Development documentation | Information | Glossary | About Elphel, Inc

Photo-finish | Zeroconf for Elphel cameras | Elphel cameras and Zoneminder | USB host interface | Motorized lens control | Outdoor enclosure

What is line scan?

Line-scan is an image acquisition method that continuously samples (sensor) lines into a composite image. A Flatbed or hand held scanner is essentially also kind of a line-scanner. For some historic reasons (I guess due to the various application and realms they derived from) there are many terms:

Basically they all describe the same principle, a principle that is rather old and was already used in traditional analogue photography (for instance rotating panorama cameras), where you have a slit as an aperture, exposing the film as it moves by. In the digital realm one would cut out slices of existing image footage or – as in case of dedicated line-scan cameras – it is really just a one line sensor (to be correct: that’s true for monochrome cameras, color line-scan cameras normally have either 3 lines – in case of CCD sensor: one for each color – or 2, if the sensor is CMOS using Bayer pattern).

Applications of these line-scan method include industrial surface scanning, photo-finish, rotating panorama cameras, aerial imaginary, the arts (an interesting overview of art and research related slit-scan approaches can be found here) and certainly many more.


Line scan with Elphel

This image is downsized from 2592x3872 and rotated by 90° CCW
Camera series Photo finish support
333 +
353 +
393 +

Since 2005 and the older 333 model, Elphel cameras have a “photo-finish” mode. With its 3Mpix Aptina CMOS sensor Elphel 333 was able so sample around 3072 lines per second. The photo-finsh mode was revived for the current Elphel 353 model with firmware release 8.0.8.7 by end of April 2010. The current 5Mpix Aptina CMOS sensor (width: 2536px) is a bit slower and allows a sample rate of approx. 2300 lines per second – or a line rate of 2.3 kHz (as it seems to be measured in dedicated line-scan cameras).

Elphel 353 software is fully ported to the new Elphel 393 generation of camera systems and works for JP4 format.

In Photo finish mode the camera then samples just lines and delivers composite images as video frames via RTSP network stream or directly to a hard-disc.

Due to the Bayer pattern of the sensor the minimal sample height is 2 lines.


Instructions for 393

The instructions are the same as for 353, the key moments are switching to sensor free fun (or reasonable fps) and JP4 format modes. 393 are set to internal 10fps trigger while 353's sensor is in the free run mode at boot.

Examples
  • Example 1: 2592x1936, not changing any frame dimensions, sensor is in a free run mode
    • COMPRESSOR_RUN=0, WB_EN=0, AUTOEXP_ON=0, EXPOS=400, TRIG=0, COLOR=5
    • PH_HEIGHT=2
    • COMPRESSOR_RUN=2
  • Example 2: 2592x3872, not changing any frame dimensions, sensor is in a free run mode
    • COMPRESSOR_RUN=0, WB_EN=0, AUTOEXP_ON=0, EXPOS=400, TRIG=0, COLOR=5
    • PH_HEIGHT=2
    • WOI_HEIGHT=3872
    • COMPRESSOR_RUN=2
  • Example 3: 2592x1936, not changing any frame dimensions, sensor is triggered from internal counter: 2000fps
    • COMPRESSOR_RUN=0, WB_EN=0, AUTOEXP_ON=0, EXPOS=400, TRIG=0, COLOR=5
    • PH_HEIGHT=2
    • TRIG_PERIOD=50000 (units are in 1/100MHz)
    • TRIG=4
    • COMPRESSOR_RUN=2

Setup instructions for 353

  • A link for quick access to parameters that might be required:
http://192.168.0.9/parsedit.php?WB_EN&AUTOEXP_ON&EXPOS&COMPRESSOR_RUN&TRIG&TRIG_PERIOD&PF_HEIGHT&WOI_HEIGHT&WOI_TOP&WOI_LEFT&WOI_WIDTH
  • To switch the camera into the line scan mode:
    • COMPRESSOR_RUN=0 - stop compressor
    • PH_HEIGHT=2 - switch to line scan mode
    • COMPRESSOR_RUN=2 - restart compressor
It is functional

Before changing any image related parameters in this mode it's better to stop the compressor and restart it after everything is set. For more details about changing parameters, see Accessing camera parameters.

Photo-finish mode per “default” then samples line-pairs as fast as (exposure) settings allow with a maximum rate of approx. 2300 line-pairs per second and a maximum width of the composite frame of 16384px (defined by WOI_HEIGHT). The sensor location that is used as source for these lines is defined by WOI_TOP, WOI_LEFT and WOI_WIDTH.

For variable control of the line sampling speed you can either:

  • change exposure settings.
  • slow down that process by defining a virtual size with VIRT_KEEP and VIRT_HEIGHT (which still samples as fast as it can for given virtual size and exposure settings)
  • use the camera’s internal trigger mode with TRIG=4 and TRIG_PERIOD settings to generate a regular trigger impulse. (but due to camera’s internal delays in that mode the line rate is a bit less )
Examples
  • Example 1: 2592x1936, not changing any frame dimensions, sensor is in a free run mode
    • COMPRESSOR_RUN=0, WB_EN=0, AUTOEXP_ON=0, EXPOS=400, TRIG=0
    • PH_HEIGHT=2
    • COMPRESSOR_RUN=2
  • Example 2: 2592x1936, not changing any frame dimensions, sensor is triggered from internal counter: 2000fps
    • COMPRESSOR_RUN=0, WB_EN=0, AUTOEXP_ON=0, EXPOS=400, TRIG=0
    • PH_HEIGHT=2
    • TRIG_PERIOD=50000 (units are in 1/100MHz)
    • TRIG=4
    • COMPRESSOR_RUN=2

Important notes

  • A common pitfall in trying out photo-finish mode is that one needs to take care of appropriate exposure setting before going into photo-finish mode. If you just start that mode in low light conditions you will end up waiting for frames endlessly – and get the impression the camera does not work anymore. For example:

 Switching to photo finish from 2592x1936 and 50ms exposure to 2592x2 and 2592x1936 composite image will result in waiting for that composite image for 50 seconds (1936/2*50ms).

Example images

Free Software and Open Hardware. Elphel, Inc., 2005

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